RME ladyface

Analog I/Os

The balanced XLR I/Os and the TRS phones outputs use RME's analog circuit design, therefore guarantee outstanding noise and distortion values. The latest generation AD/DA converters provide sample rates up to 192 kHz with an SNR of up to 115 dBA. Due to its efficient jitter reduction, SteadyClock(TM) guarantees prestine sound quality, even when clocking to an external digital source.

High-End Mic Preamps

Both digitally controlled preamps provide individually switchable 48V phantom power. A gain of up to 65 dB, adjustable in steps of 3 dB over a range of 56 dB, exceptional EIN performance even at low amplification settings, and extremely low THD+N values let these preamps surpass those of other devices that cost several times the price of the Ladyface. All level settings are 100% recallable by the setup software and can be comfortably adjusted directly at the unit.

Digital I/Os

The incredible feature set includes an optical TOSLINK I/O, usable as ADAT port with SMUX support or SPDIF optical at up to 192 kHz. In combination with an ADAT converter, like RME ADI-8 QS or OctaMic II, the Ladyface provides an incredible amount of 10 analog input and 12 output channels.

Phones Output

The additional headphone output, driven from a separate and dedicated DA converter, delivers the full sonic experience of up to 192 kHz and is available not only directly at the unit but also at the breakout cable. Perfect for two separate headphones or additional monitors. The phones level is easy to adjust and control with a simple click of the select button and the main volume knob.

Instrument Input

Directly plug in your guitar or other instruments by switching one input to Hi-Z input mode. Recording any instrument becomes a breeze and does not require any other hardware.

MIDI I/O

The integrated MIDI I/O completes the list of features and turns the Ladyface into a creative audio system of universal usability. Do what you want - wherever you want!

Perfect Control

With one main control knob and two single buttons the elegant Ladyface acts as a perfectly designed direct desktop control for all typical studio tasks: volume control, reference volume store and recall, volume dim, input selection/switching, input gain control - quick and easy access to all functions has been a major point during design and development. The LED bars serve as both level and gain meters, visually supporting the precise control of all inputs, outputs and headphone levels directly at the interface. USB Made by RME

The Ladyface provides RME's unmatched USB pro audio technology for revolutionary ultra-low latencies on Mac and PC. Under both operating systems the available latencies are simply sensational and provide an exceptional performance.

Features :

- Sample rates up to 192 kHz on all I/Os (including two ADAT channels via SMUX4)
- Two digitally controlled microphone preamps in high-end quality
- Two balanced universal inputs for line and instrument signals
- SteadyClock for maximum jitter suppression and clock refresh
- Direct operation with rotary encoder and keys
- TotalMix FX: Newly developed internal DSP high-end mixer
- Full mobility by bus powered operation
- DIGICheck, RME's unique meter and analysis tool included
- Peak and RMS are hardware-calculated for all channels

Rear Connectors

The Ladyface provides two optical I/Os and a 15-pin D-sub connector. Both TOSLINK connectors for ADAT or SPDIF optical are on the back of the Ladyface. The breakout cable - connected directly or via a special extension cable - offers the following connections:

- 4 x XLR balanced (Analog I/O)
- 1 x 1/4" TRS for Phones (= Analog Out 3+4)
- 2 x DIN (MIDI I/O)