PRESONUS studiolive 16.4.2

StudioLive is loaded with everything needed for professional live sound production totaling 28 compressors, 28 limiters, 28 gates, 28 high pass filters, 2 stereo reverb/delay’s, 2 master stereo limiters and more, saving you loads of money and trips from the trailer during load in/out. All StudioLive digital effects are created and processed with 32-bit floating point precision for maximum sonic performance and enhanced musicality

StudioLive features an innovative and intuitive “QuickTouch” design allowing fast access to every parameter, mix, effect, and aux, allowing quick and creative control during music production. Load and save functions are also included to create snapshots of channel settings, save effect settings, totally recalling a mix, and more. All digital mixing and effects processing is done with 32-bit floating point precision for unmatched musicality

(EQ, Compressor, Limiter, Gate, on every channel)
The heart of StudioLive is the “Fat Channel” engaged by pressing any “select” button, and features extensive equalization and dynamics available to every input channel, every aux output, every subgroup output, and main output. High pass filter, and four-band semi-parametric equalization algorithms are based on PreSonus’ custom-designed digital EyeQ™ equalizer, delivering extremely musical results. Also included in the Fat Channel are compressors, limiters and gates modeled after PreSonus’ award-winning ACP88 for complete dynamics control

Two programmable 32-bit stereo DSP effects engines are loaded in StudioLive with a wide range of reverbs, delays, and time-based effects with easy to use parameter adjustment, tap tempo, store, recall, and scene selection for ultimate creative flexibility.

StudioLive allows you to save all of your digital settings for quick setup and recall. Save “scenes” (all settings) including fader levels with LED position matching, channel strips (Fat Channel), and individual DSP effects for ultimate ease, quickness and control

StudioLive spares no expense when it comes to sound quality. All digital mixing is done with ultra high headroom 32-bit floating point processing for optimal sonic performance. Analog input and output is converted to digital audio with the highest-quality digital converters available delivering dynamic range of +118dB for spectacular sonic results and unmatched musicality

StudioLive includes PreSonus’ award-winning FireWire technology with JetPLL™ synchronization delivering 32 channels of recording and 18 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre or post Fat-Channel signal processing giving total flexibility and power. StudioLive can also return 18 FireWire playback channels from your recording and production software for remixing and live performance with pre-recorded tracks, as well as studio mixing using the mixer’s internal signal processing and summing algorithms. StudioLive is compatible with Mac and Windows audio recording and production software including Logic, Nuendo, Cubase, Sonar, Digital Performer, Audition and more

StudioLive 16.4.2 also ships complete with CAPTURE multi-track recording software so you can effortlessly record your shows right out of the box. CAPTURE software was designed to interface with StudioLive 16.4.2 perfectly to allow instant setup and recording of performances. With the look and feel of industry standard digital multi-track hard disk recorders, CAPTURE software is instantly familiar to every musician and engineer. StudioLive HDR software gives you full editing capability as well as export to wav file formats for compatibility with ProTools, Cubase, Nuendo, Logic, Sonar and all other recording and music production software. Or you can play back your recorded tracks into StudioLive 16.4.2 via FireWire and mix your tracks with the mixing power and capabilities of StudioLive 16.4.2, then record the final mix back to CAPTURE! Now that’s power!

StudioLive includes sixteen custom-designed high-voltage, discrete, XMAX Class A microphone preamplifiers for all types of microphones.The job of a microphone preamplifier is to boost microphone level signals to line level so that the signal can be converted from analog to digital. This mic to line boost is generally a preamplification of over 400 times the voltage of the original mic level signal. This preamplification stage is one of the most important stages that the signal will go through before converted to digital, and is why a high performance preamplifier is important to achieving great results

- 16 inputs, 6 auxiliary mixes, 4 subgroups

- 16 class A XMAX microphone preamplifiers

- Hi-Definition analog to digital converters (118dB dynamic range)

- Unlimited headroom 32-bit floating point digital mixing and effects processing

- Internal sample frequency 44.1kHz and 48kHz

- 22x18 FireWire digital recording interface (24-bit / 44.1kHz and 48kHz)

- Compact 19” rack-mountable rugged steel chassis

[Fat Channel Select]
- High Pass Filter
- Compressor
- Limiter
- Gate
- 4-band semi parametric EQ
- Pan
- Load/Save/Copy/Paste