YAMAHA mw12c

FLEXIBLE 12-CHANNEL CONFIGURATION

The MW12C and MW12CX both give you a total of twelve inputs, including four mono microphone/line inputs and four stereo line inputs. Two of the stereo line inputs can also function as mono microphone inputs, providing up to six simultaneous microphone inputs if you need them. The high-performance ultra-low-noise balanced microphone inputs also have a phantom power switch, allowing you to take advantage of the superior sonic quality of professional-level condenser microphones.

EASY-TO-USE 1-KNOB COMPRESSION

Compression-the taming of wildly varying levels in vocals, bass and guitar-is one of the most important effects used in recording and mixing. It is also one of the most subtle and difficult to use. Not with the new MW series mixers, however. The innovative 1-knob analog compressor (on the mono input channels) lets you dial in just the amount of compression you need in recording, without having to set multiple parameters like threshold, ratio and makeup gain. One knob does it all for you-instantly giving you great, punchy sound.

ASSIGNABLE REC OUT

In addition to the normal stereo buss, the MW12C and MW12CX has assignable busses (REC OUT). This feature gives you addes flexibility in routing the signals for recording and monitoring. Turning on the ON switch for any channel immediately routes that channel to the USB terminal and enables it for recording. Multiple channels selected in this way are, of course, recorded to a stereo mix on the computer. In this condition, each channel is also mixed to the stereo buss and can be monitored (with the Monitor Mix function).