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behringer MIC2200
Discrete mic/line input stages with soft mute +48 V phantom power. |
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shure SCM262E
The competitively-priced SCM268 microphone mixer features six transformers inside: four transformer balanced XLR microphone-level inputs, one transformer balanced XLR mic/line output, and one internal low stray field, toroidal power transformer. |
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shure SCM268E
The competitively-priced SCM268 microphone mixer features six transformers inside: four transformer balanced XLR microphone-level inputs, one transformer balanced XLR mic/line output, and one internal low stray field, toroidal power transformer. |
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shure SCM410E
Automatic mixing is a tremendous problem-solving tool allowing sound system installers to eliminate common problems such as insufficient gain before feedback and muddy speech quality. Shure is the industry leader in automatic mixing with our unique IntelliMix technology. IntelliMix automatically gates microphones on and off to optimize sound quality in conference facilities, houses of... |
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shure FP33
The FP33 is a 3-input, 2 output, portable stereo mixer specifically designed for remote audio recording, electronic field production, electronic news gathering, and location film production. |
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behringer XENYX 502
With close to one million units sold, the UB mixer series has become one of the most popular mixer series of all times that has no doubt connected musicians all over the world. Our new XENYX mixers will take you to an even higher plane. |
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samson audio MDR624
The MDR624 mixer with its professional features and advanced circuit design give you the tools necessary to ensure high-quality sound and reliable performance from one venue, or session to the next |
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Wholesaler outage, supply on 06/07/2012 |
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phonic AM120
The AM Series mixers are compact and versatile with anywhere between 5 and 24 mono Mic/Line and stereo inputs. Ultra low noise pre-amps ensure high quality sound when used in project studios or sound reinforcement. Low-cut filters on mono channels eliminate unwanted sounds like stage rumble, P-pops, wind noise and low frequency recording studio room resonances. The multi-band EQ on mono channels... |
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